Wednesday, March 22

Book Report

Last weekend, I read a fabulous book, The Book Thief by Markus Zusak. The main character is a 10 year-old girl, Lisel, who is living with foster parents in a small suburb of Munich during the early days of WWII. She cannot read but learns with the help of her patient foster father. She loves the words and she soon discovers that books are the one thing she cannot resist. She starts stealing books from Nazi book burnings, from the library in the mayor's house, and even from a grave digger. Meanwhile, a German Jew comes to hide in her family's basement. Lisel shares her books with him and together they find solace in the words.

The expected hardships and dangers associated with war are also part of Lisel's life - rations, air raids, and death. Zusak portrays daily life in Nazi Germany as "normal" because it was for that time. Lisel must join Hitler's Youth when she turns ten, public display of the Nazi flag is mandatory on Hitler's birthday, the abandoned Jewish neighborhood, "Heil Hitler" instead of "hello", and yet, Lisel and her best friend ride their bikes and play soccer in the street just like kids anywhere would do. It's normal life for them.

So what makes this book different from any other WWII novel? Lisel's story is narrated by Death. Readers meet Death on the very first page. Death is portrayed as an observer who only involves himself in people's lives when he must take them. He is a reliable narrator but Zusak humanizes Death just enough, that by the book's end, he's actually a slightly sympathetic character.

The Book Thief was originally published in Zusak's native Australia as a book for adults. It weighs in at 540 pages. Zusak's American publisher, Knopf (imprint of Random House), has decided to publish it as young adult, but quietly. This sort of thing happens quite often. The bestseller, The Curious Incident of the Dog in the Night Time by Mark Haddon, was originally published in the UK as a young adult book, but when it jumped the pond, it was published as an adult novel. The Book Thief is sophisticated, meaty, compelling, and solid. The author is going to be at ALA in June, and I'm going to haul this book and another with me for him to sign. Go read it!

Incidentally, Zusak's previous novel, I Am the Messenger, is also fantastic. It's completely different from The Book Thief. Set in Australia, the protagonist is a 19 year-old guy who makes his living illegally driving a cab. His ho-hum life is disrupted when he foils a bank robbery and anonymously receives a playing card in his mail - the ace of diamonds. Written on the card are three names of people he doesn't know. He must figure out what role he is to play in their lives. Part mystery and adventure, I Am the Messenger, is full of angst, love, family, humanity, and connection. Smartly written and a really good story.

Since finishing The Book Thief this weekend, I have finally begun reading The Da Vinci Code. Am I the last person on the planet to read this thing? I'm not quite done with it - probably have one more night of reading - and I'm not impressed. Sure, it's an engaging story but I'm finding some sloppiness in the storytelling. There are holes and far too many convenient coincidences. I think that parts of it are repetitious as if Dan Brown underestimates his reader's ability to remember things from one chapter to the next. I have found myself skipping those repetitions. I also am finding it extremely easy to predict plot points. I'm almost a little bored with it. I think it will make a better movie than book.

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